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List of results
- Psalm 4/Verbs + (anaphora)
- Psalm 6/Verbs + (anaphora)
- Psalm 4/Phonology + (Gives cohesion to v.8 and v.9; ודעו and ודמו form an inclusio (vv.4-5))
- Psalm 4/Phonology + (anaphora (v.2a, v.3a))
- Psalm 9/Lexical Semantics + (anaphora (vv.16a, 18a); gives cohesion to vv.16-19)
- Psalm 7/Verbs + (Volitives bookend the first two sections (vv.2-6) and predominate in the following two sections (vv.7-10) as the psalmist calls on Yahweh to bring judgment. The verbs in vv. 11-17 are modally indicative.)
- Psalm 7/Lexical Semantics + (Gives cohesion to vv.11-18 (see "direct address to Yahweh"). The third person reference to Yahweh in v.9a stands out among the surrounding 2nd person perspective (vv.8b,9b).)
- Psalm 9/Nouns + (gives cohesion to bicola/tricola (vv.6, 7, 16) and the final strophe (vv.20-21); gives cohesion to vv.6-7; creates suspense in v.13, where the referent of אותם (v.13a) is not revealed until the next line (v.13b))
- Psalm 9/Lexical Semantics + (gives cohesion to vv.20-21; forms chiasm: '''a''' אֱנ֑וֹשׁ '''b''' ג֝וֹיִ֗ם '''b'''' גוֹיִ֑ם '''a'''' אֱנ֖וֹשׁ (vv.20-21))
- Psalm 2/Lexical Semantics + (aperture (v.10a))
- Psalm 3/Phonology + (aperture (v.2a; v.4a; v.6a); inclusio (v.2a, v.9))
- Psalm 8/Verbs + (aperture (v.4a))
- Psalm 2/Lexical Semantics + (aperture (v.4a, 10a); peak? (v.6a); climax? (v.7c))
- Psalm 9/Verbs + (gives cohesion to v.11 (plural participles) and to vv.12-14 (singular participles))
- Psalm 9/Verbs + (gives cohesion to the whole psalm)
- Psalm 2/Lexical Semantics + (aperture; contrast with previous section)
- Psalm 7/Verbs + (Volitives bookend the first two sections (vv.2-6) and predominate in the following two sections (vv.7-10) as the psalmist calls on Yahweh to bring judgment. The verbs in vv. 11-17 are modally indicative.)
- Psalm 5/Verbs + (gives cohesion to section 2 (vv.4-8))
- Psalm 5/Verbs + (gives cohesion to section 1 (vv.2-3) and section 3 (vv.9-12), and, by its absence, to sections 2 (vv.5-8) and 4 (v.13))
- Psalm 9/Lexical Semantics + (gives cohesion to vv.20-21; forms chiasm: '''a''' אֱנ֑וֹשׁ '''b''' ג֝וֹיִ֗ם '''b'''' גוֹיִ֑ם '''a'''' אֱנ֖וֹשׁ (vv.20-21))
- Psalm 3/Phonology + (Gives cohesion to the second section)
- Psalm 8/Verbs + (forms chiasm in Section 3 (vv.6-7), with short ''yiqtol'' verbs at center: '''a''' וַתְּחַסְּרֵ֣הוּ '''b''' תְּעַטְּרֵֽהוּ / '''b'''' תַּ֭מְשִׁילֵהוּ '''a'''' שַׁ֣תָּה)
- Psalm 8/Phonology + (Kraut argues that vv.4, 7 form elements D and D' in a chiasm that constitutes the whole of Psalm 8. See below on [[#Large-scale structures|Large-scale structures]].)
- Psalm 9/Nouns + (gives cohesion to bicola/tricola (vv.6, 7, 16) and the final strophe (vv.20-21); gives cohesion to vv.6-7; creates suspense in v.13, where the referent of אותם (v.13a) is not revealed until the next line (v.13b))
- Psalm 3/Verbs + (Microstructure: structures lines 8ab into a unit. Macrostructure: may mark the emotional climax of the psalm.)
- Psalm 9/Verbs + (gives cohesion to v.12; creates discontinuity with what precedes (v.12) = aperture)
- Psalm 5/Nouns + (gives cohesion to vv.10-11)
- Psalm 5/Phonology + (gives cohesion to section 3 (vv.10-12))
- Psalm 5/Verbs + (gives cohesion to section 2.2 (vv.5-7) and 3.3 (v.12))
- Psalm 3/Verbs + (gives cohesion to sections 2-3)
- Psalm 3/Phonology + (aperture (v.2a; v.4a; v.6a); inclusio (v.2a, v.9))
- Psalm 3/Phonology + (gives cohesion to third section (vv.6-7))
- Psalm 5/Lexical Semantics + (gives cohesion to the psalm; Yahweh "hates/abominates/does not delight in" (vv.5-7) the wicked; but he surrounds with "favor" those who "love" his name (vv.12-13))
- Psalm 9/Lexical Semantics + (anaphora (vv.16a, 18a); gives cohesion to vv.16-19)
- Psalm 5/Phonology + (gives cohesion to vv.7-8)
- Psalm 4/Verbs + (Gives cohesion to v.3 and vv.7-8, which begin and end in 3rd person.)
- Psalm 5/Phonology + (A significant proportion of the phonologic … A significant proportion of the phonological recursion in Ps. 5 (e.g., בְּרֹב, בָךְ, קֶבֶר/קִרְבָּם, קוֹל) happens to include sounds related to בֹּקֶר (v.4ab). This feature highlights the thematic significance of בֹּקֶר, which is emphatically repeated in fronted position in v.4ab. It also gives cohesion to the psalm as a whole.so gives cohesion to the psalm as a whole.)