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לְק֬וֹל (v.3a), מַלְכִּ֥י (v.3a), אֵ֜לֶ֗יך … לְק֬וֹל (v.3a), מַלְכִּ֥י (v.3a), אֵ֜לֶ֗יךָ (v.3b), בֹּ֭קֶר (v.4ab, x2), קוֹלִ֑י (v.4a), אֶֽעֱרָךְ־לְ֜ךָ֗ (v.4b), יְגֻרְךָ֣ (v.5b), כָּל־פֹּ֥עֲלֵי (v.6b), בְּרֹ֣ב (v.8a), הֵֽיכַל (v.8b), לְפָנַ֣י דַּרְכֶּֽךָ (v.9b), '''קִרְבָּ֪ם''' (v.10b), '''קֶֽבֶר''' (v.10c), גְּרוֹנָ֑ם (v.10c), יַחֲלִֽיקוּן (v.10d), יִפְּלוּ֘ (v.11b), בְּרֹ֣ב (v.11c), כִּי־מָ֥רוּ בָֽךְ (v.11d), כָל (v.12a), בָ֡ךְ (v.12a), בְ֜ךָ֗ (v.12d), תְּבָרֵ֪ךְ (v.13a)v.12a), בְ֜ךָ֗ (v.12d), תְּבָרֵ֪ךְ (v.13a) + and v.9ab +
A significant proportion of the phonologic … A significant proportion of the phonological recursion in Ps. 5 (e.g., בְּרֹב, בָךְ, קֶבֶר/קִרְבָּם, קוֹל) happens to include sounds related to בֹּקֶר (v.4ab). This feature highlights the thematic significance of בֹּקֶר, which is emphatically repeated in fronted position in v.4ab. It also gives cohesion to the psalm as a whole.so gives cohesion to the psalm as a whole. +, gives cohesion to v.7ab + and gives cohesion to vv.9ab +
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