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A list of all pages that have property "Structure" with value "The psalm is framed by third person verbs (vv.1, 12).". Since there have been only a few results, also nearby values are displayed.

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  • Psalm 6/Lexical Semantics  + (Repetition of the tetragrammaton is dense … Repetition of the tetragrammaton is dense in this psalm; Yahweh's name is used 8 times. This repetition is confined largely to the outer sections. In the middle of the psalm, as the Psalmist is on the brink of Sheol, the place where Yahweh is neither remembered nor praised (v.6ab), the divine name is no where to be found. The absence of the divine name in vv.6-8 underscores the despair of these sections, whereas the dense recursion of the name in sections 1 and 4 underlines the feelings of desperation and confidence respectively.f desperation and confidence respectively.)
  • Psalm 8/Lexical Semantics  + (Royal language frames the psalm (vv.2, 10), give cohesion and prominence to Section 3 (vv.6-7))
  • Psalm 7/Verbs  + (The ''qal'' stem (34x vs 17x non-''qal'') predominates in this psalm (contrast with Psalm 5, where there is an equal number of ''qal'' and non-''qal'' verbs).)
  • Psalm 6/Lexical Semantics  + (The clustering of rare words in the third section (vv.7-8), which corresponds with the phonological recursion of guttural + sonorant/sibilant identified [[#Sound combinations|above]], gives this section both cohesion and prominence.)
  • Psalm 8/Nouns  + (The connection between v.4 and v.7 reinforces the [[#Large-scale structures|chiastic structure]] of the psalm.)
  • Psalm 8/Nouns  + (The connection between v.4 and v.7 reinforces the [[#Large-scale structures|chiastic structure]] of the psalm.)
  • Psalm 1/Nouns  + (The connection between בַּעֲצַת(v.1b) and בַּעֲדַת (v.5b) suggests a correspondence between these lines.)
  • Psalm 8/Nouns  + (The connections between v.2c and v.9a (as well as v.2b and v.10b) reinforces the [[#Large-scale structures|chiastic structure]] of the psalm.)
  • Psalm 2/Verbs  + (The decree of the third section deals with the problems introduced in the first section.)
  • Psalm 7/Lexical Semantics  + (Gives cohesion to section 1 (vv.2-3))
  • Psalm 1/Verbs  + (The distribution of verb stems in this psa … The distribution of verb stems in this psalm "might seem normal, since more than two-thirds of all verbs in the Hebrew Bible are ''qal'', and ''hiphil'' is the next most common stem. The ''hiphil'' in 1:3[d], however, not only stands in contrast to the consistent ''qals'' in the rest of the poem but also concludes its first main section, the 'happy man' (1a-3e)."<ref>Frederic Putnam, “Working with Biblical Hebrew Poetry,” in ''Basics of Hebrew Discourse,'' edited by Miles van Pelt (Grand Rapids: Zondervan Academic, 2019), 184-185.</ref>rvan Academic, 2019), 184-185.</ref>)
  • Psalm 7/Lexical Semantics  + (Gives cohesion to vv.11-18 (see "direct address to Yahweh"). The third person reference to Yahweh in v.9a stands out among the surrounding 2nd person perspective (vv.8b,9b).)
  • Psalm 8/Phonology  + (Kraut argues that vv.4, 7 form elements D and D' in a chiasm that constitutes the whole of Psalm 8. See below on [[#Large-scale structures|Large-scale structures]].)
  • Psalm 6/Lexical Semantics  + (anadiplosis)
  • Psalm 2/Phonology  + (The infrequency of ל and the frequency of ר in the fourth section (vv.10-12) set off this section from the rest of the psalm, thus giving cohesion and creating discontinuity.)
  • Psalm 2/Verbs  + (The psalm is framed by third person verbs (vv.1, 12).)
  • Psalm 5/Lexical Semantics  + (The recursion of the divine name יהוה as a … The recursion of the divine name יהוה as a vocative at the beginning of a line (vv. 4a, 9a) marks the onset of the two major sections in the body of the psalm (S.1: vv.4-8; S.2: vv.9-12). If the divine name occurs also at the end of v.11d (so LXX), then it functions in this verse as well as in v.7b to close the parallel sub-sections 2.3 and 3.3.ose the parallel sub-sections 2.3 and 3.3.)
  • Psalm 6/Lexical Semantics  + (anadiplosis)
  • Psalm 8/Phonology  + (Kraut argues that vv.4, 7 form elements D and D' in a chiasm that constitutes the whole of Psalm 8. See below on [[#Large-scale structures|Large-scale structures]].)
  • Psalm 4/Lexical Semantics  + (inclusio (vv.2a, 9b))
  • Psalm 7/Verbs  + (The series of long ''qal'' imperatives (II-''waw'') gives cohesion and prominence to vv.7-8.)
  • Psalm 7/Lexical Semantics  + (Gives cohesion to vv.11-18 (see "direct address to Yahweh"). The third person reference to Yahweh in v.9a stands out among the surrounding 2nd person perspective (vv.8b,9b).)
  • Psalm 6/Phonology  + (The sounds guttural + sonorant/sibilant gi … The sounds guttural + sonorant/sibilant give cohesion to the first three sections of the psalm. They seem to be particularly associated with the psalmist's dire situation (vv.2-3; 7-8). Where the lament is the deepest (vv.7-8), the sounds are especially prominent. When lament gives way to confidence (section 4), the sounds disappear. The sudden shift in mood is thus accompanied by a shift in sound.d is thus accompanied by a shift in sound.)
  • Psalm 4/Lexical Semantics  + (The thematic significance of v.5b (the middle line of the psalm, also the longest line) is indicated by the fact that nearly every word of this verse is repeated (in order) in the a-line of a following verse.)
  • Psalm 8/Verbs  + (forms chiasm in Section 3 (vv.6-7), with short ''yiqtol'' verbs at center: '''a''' וַתְּחַסְּרֵ֣הוּ '''b''' תְּעַטְּרֵֽהוּ / '''b'''' תַּ֭מְשִׁילֵהוּ '''a'''' שַׁ֣תָּה)
  • Psalm 8/Lexical Semantics  + (Gives cohesion to v.9)
  • Psalm 6/Verbs  + (anaphora)
  • Psalm 2/Verbs  +
  • Psalm 3/Lexical Semantics  + (This feature forms/reinforces a (chiastic) correspondence between sections 1 and 4.)
  • Psalm 3/Lexical Semantics  + (This feature forms/reinfornces a contrastive correspondence between the first and fourth sections.)
  • Psalm 3/Lexical Semantics  + (This feature reinforces the contrastive correspondence between sections 1 and 4.)
  • Psalm 2/Verbs  + (The decree of the third section deals with the problems introduced in the first section.)
  • Psalm 7/Verbs  + (Volitives bookend the first two sections (vv.2-6) and predominate in the following two sections (vv.7-10) as the psalmist calls on Yahweh to bring judgment. The verbs in vv. 11-17 are modally indicative.)
  • Psalm 7/Phonology  + (Words with double ''m'' occur only in vv.8ab,9a. This fact may support the argument for grouping v.9a with v.8ab rather than with v.9bc.)
  • Psalm 9/Lexical Semantics  + (gives cohesion to vv.20-21; forms chiasm: '''a''' אֱנ֑וֹשׁ '''b''' ג֝וֹיִ֗ם '''b'''' גוֹיִ֑ם '''a'''' אֱנ֖וֹשׁ (vv.20-21))
  • Psalm 3/Phonology  + (Gives cohesion to the second section)
  • Psalm 3/Phonology  + (gives cohesion to third section (vv.6-7))
  • Psalm 4/Verbs  + (anaphora)
  • Psalm 4/Phonology  + (anaphora (v.2a, v.3a))
  • Psalm 4/Phonology  + (Gives cohesion to v.8 and v.9; ודעו and ודמו form an inclusio (vv.4-5))
  • Psalm 9/Lexical Semantics  + (anaphora (vv.16a, 18a); gives cohesion to vv.16-19)