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List of results

• Psalm 4/Phonology  + (Gives cohesion to vv.7-9)
• Psalm 8/Verbs  + (forms chiasm in Section 3 (vv.6-7), with short ''yiqtol'' verbs at center: '''a''' וַתְּחַסְּרֵ֣הוּ '''b''' תְּעַטְּרֵֽהוּ / '''b'''' תַּ֭מְשִׁילֵהוּ '''a'''' שַׁ֣תָּה)
• Psalm 8/Phonology  + (Gives cohesion to vv.4-5; also, to a lesser extent, gives cohesion to vv.8-9)
• Psalm 4/Verbs  + (Gives cohesion to v.3 and vv.7-8, which begin and end in 3rd person.)
• Psalm 8/Nouns  + (Gives cohesion to vv.6-7 (section 3))
• Psalm 8/Nouns  + (Gives cohesion to vv.5-6, forms a bridge between the two middle sections of the psalm. See discussion below.)

• Psalm 4/Phonology  + (Gives cohesion to vv.5-9.)

• Psalm 8/Phonology  + (Gives cohesion to vv.4-5; also, to a lesser extent, gives cohesion to vv.8-9)
• Psalm 8/Nouns  + (Gives cohesion to vv.6-7 (section 3))
• Psalm 4/Phonology  + (Gives cohesion to v.8 and v.9; ודעו and ודמו form an inclusio (vv.4-5))
• Psalm 4/Phonology  + (anaphora (v.2a, v.3a))
• Psalm 4/Phonology  + (Gives cohesion to vv.7-9)
• Psalm 9/Phonology  + (Gives cohesion to vv.8-11; aperture (vv.8a; 18a); see [[#Large-scale structures|acrostic structure]].)
• Psalm 8/Lexical Semantics  + (Royal language frames the psalm (vv.2, 10), give cohesion and prominence to Section 3 (vv.6-7))
• Psalm 2/Verbs  + (suggests a correspondence between the first and final sections of the psalm)
• Psalm 4/Nouns  + (Inclusio)
• Psalm 8/Lexical Semantics  + (Inclusion)
• Psalm 8/Lexical Semantics  + (Gives cohesion to v.9)
• Psalm 8/Nouns  + (The connection between v.4 and v.7 reinforces the [[#Large-scale structures|chiastic structure]] of the psalm.)
• Psalm 7/Verbs  + (Gives cohesion to vv.13-17)
• Psalm 3/Lexical Semantics  + (This feature forms/reinforces a (chiastic) correspondence between sections 1 and 4.)
• Psalm 2/Phonology  + (Gives cohesion to first and fourth sections; suggests structural correspondence between these sections)
• Psalm 2/Phonology  + (Perhaps this feature is meant to draw attention to the foreign word בַּר (v.12a). At the very least, this feature may partially explain why the author chose to use בַּר instead of בֵּן)
• Psalm 2/Verbs  + (It might mark points of thematic discontinuity/peak.)
• Psalm 8/Phonology  + (Kraut argues that vv.4, 7 form elements D and D' in a chiasm that constitutes the whole of Psalm 8. See below on [[#Large-scale structures|Large-scale structures]].)
• Psalm 8/Verbs  + (forms chiasm in Section 3 (vv.6-7), with short ''yiqtol'' verbs at center: '''a''' וַתְּחַסְּרֵ֣הוּ '''b''' תְּעַטְּרֵֽהוּ / '''b'''' תַּ֭מְשִׁילֵהוּ '''a'''' שַׁ֣תָּה)
• Psalm 3/Nouns  + (May mark the thematic significance of this word)
• Psalm 6/Nouns  + (Microstructural significance: forms parallelilsm; Macrostructural significance: distinguishes section 3 (vv.7-8))
• Psalm 3/Nouns  + (Microstructure: forms parallel lines into units (bicola). Macrostructure: epiphora (v.3, v.9).)
• Psalm 3/Verbs  + (Microstructure: structures lines 8ab into a unit. Macrostructure: may mark the emotional climax of the psalm.)
• Psalm 8/Nouns  + (Gives cohesion to vv.5-6, forms a bridge between the two middle sections of the psalm. See discussion below.)
• Psalm 2/Phonology  + (The infrequency of ל and the frequency of ר in the fourth section (vv.10-12) set off this section from the rest of the psalm, thus giving cohesion and creating discontinuity.)