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- Psalm 2/Verbs + (The psalm is framed by third person verbs (vv.1, 12).)
- Psalm 5/Lexical Semantics + (The recursion of the divine name יהוה as a … The recursion of the divine name יהוה as a vocative at the beginning of a line (vv. 4a, 9a) marks the onset of the two major sections in the body of the psalm (S.1: vv.4-8; S.2: vv.9-12). If the divine name occurs also at the end of v.11d (so LXX), then it functions in this verse as well as in v.7b to close the parallel sub-sections 2.3 and 3.3.ose the parallel sub-sections 2.3 and 3.3.)
- Psalm 6/Lexical Semantics + ("Reference to 'all my enemies' (כָּל־אֹיְב … "Reference to 'all my enemies' (כָּל־אֹיְבָ֑י) in v.11a forms a stanza-bounding inclusio with 'all workers of iniquity' (כָּל־פֹּ֣עֲלֵי אָ֑וֶן) in 9a and a parallel structural 'closure' with 'all my adversaries' (כָל־צוֹרְרָֽי)."'"`UNIQ--ref-00000D1C-QINU`"'־צוֹרְרָֽי)."'"`UNIQ--ref-00000D1C-QINU`"')
- Psalm 8/Phonology + (Gives cohesion to vv.4-5; also, to a lesser extent, gives cohesion to vv.8-9)
- Psalm 4/Lexical Semantics + (Epiphora: both sections (vv.4-5, v.9) end … Epiphora: both sections (vv.4-5, v.9) end with the image of lying down in bed. The thematic significance of v.5b (the middle line of the psalm, also the longest line) is indicated by the fact that nearly every word of this verse is repeated (in order) in the a-line of a following verse.order) in the a-line of a following verse.)
- Psalm 7/Verbs + (Gives cohesion and prominence to vv.7-9)
- Psalm 7/Lexical Semantics + ((see comments on שׁוב))
- Psalm 6/Phonology + (The sharp discontinuity between sections 3 and 4 (see above table cell) is smoothed over by this point of continuity. The adjacent words (צררי – סורו) is an case of anadiplosis.)
- Psalm 8/Verbs + (Gives cohesion to Sections 2-3 (vv.4-7))
- Psalm 8/Lexical Semantics + (Anaphora (vv.2c, 4a); reinforces chiastic structure (vv.2c-3a [B] – v.9 [B']).)
- Psalm 6/Verbs + (This feature binds the whole psalm together in an inclusion.)
- Psalm 2/Verbs + (1st person verbs indicate closure at v.3 and v.6.)
- Psalm 3/Lexical Semantics + (Initiates new sections (structural anaphora), especially when used in direct address (vv. 2a, 4a, 8a))
- Psalm 7/Phonology + (Words with double ''m'' occur only in vv.8ab,9a. This fact may support the argument for grouping v.9a with v.8ab rather than with v.9bc.)
- Psalm 9/Lexical Semantics + ("The first three of these occurrences cons … "The first three of these occurrences constitute another case of the rhetorical device of intensification... The first occurrence of אבד in v.4 describes the fate of the enemies... In v.6, the repetition of the term serves to emphasize Yahweh's punitive destruction and also helps to equate the psalmist's 'enemies' (v.4) with 'the nations' (גוים) and 'the wicked' (רשׁע). Then in v.7 comes the intensification... The enemy/nations/wicked is not only 'destroyed'–their very memory is 'destroyed.'"'"`UNIQ--ref-00001027-QINU`"''destroyed.'"'"`UNIQ--ref-00001027-QINU`"')
- Psalm 3/Phonology + (Gives cohesion to the second section)
- Psalm 4/Verbs + (Gives cohesion to v.2 and vv.4-6)
- Psalm 4/Phonology + (Anaphora (v.2, v.4), though possibly part of a chiasm with בקראי and שׁמע.)
- Psalm 9/Nouns + (''Inclusio'', gives cohesion to vv.2-11)
- Psalm 2/Lexical Semantics + (aperture (v.10a))
- Psalm 9/Verbs + (aperture (vv.12, 14, 20); gives cohesion to vv.20-21; creates discontinuity with what precedes (vv.12, 14, 20))
- Psalm 5/Verbs + (each major section of the psalm opens with 2ms verbs (anaphora); the psalm is framed by 2ms verbs (inclusio))