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A list of all pages that have property "Structurally indicates" with value "Gives cohesion to vv.8-9". Since there have been only a few results, also nearby values are displayed.

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    • Psalm 8/Lexical Semantics  + (Inclusion)
    • Psalm 2/Verbs  + (The decree of the third section deals with the problems introduced in the first section.)
    • Psalm 4/Nouns  + (Inclusio)
    • Psalm 8/Nouns  + (Gives cohesion to vv.5-6, forms a bridge between the two middle sections of the psalm. See discussion below.)
    • Psalm 7/Verbs  + (Volitives bookend the first two sections (vv.2-6) and predominate in the following two sections (vv.7-10) as the psalmist calls on Yahweh to bring judgment. The verbs in vv. 11-17 are modally indicative.)
    • Psalm 3/Lexical Semantics  + (This feature forms/reinforces a (chiastic) correspondence between sections 1 and 4.)
    • Psalm 2/Phonology  + (Gives cohesion to first and fourth sections; suggests structural correspondence between these sections)
    • Psalm 8/Phonology  + (Gives cohesion to vv.4-5; also, to a lesser extent, gives cohesion to vv.8-9)
    • Psalm 8/Verbs  + (forms chiasm in Section 3 (vv.6-7), with short ''yiqtol'' verbs at center: '''a''' וַתְּחַסְּרֵ֣הוּ '''b''' תְּעַטְּרֵֽהוּ / '''b'''' תַּ֭מְשִׁילֵהוּ '''a'''' שַׁ֣תָּה)
    • Psalm 3/Nouns  + (Gives cohesion to sections 2-3)
    • Psalm 6/Nouns  + (Creates a measure of continuity at the boundary of the final two sections)
    • Psalm 3/Verbs  + (Microstructure: structures lines 8ab into a unit. Macrostructure: may mark the emotional climax of the psalm.)
    • Psalm 1/Nouns  + (Plurals within the first line of each section (anaphora). The lack of plural nouns in v.2 indicates a measure of discontinuity with v.1.)
    • Psalm 6/Lexical Semantics  + (Repetition of the tetragrammaton is dense … Repetition of the tetragrammaton is dense in this psalm; Yahweh's name is used 8 times. This repetition is confined largely to the outer sections. In the middle of the psalm, as the Psalmist is on the brink of Sheol, the place where Yahweh is neither remembered nor praised (v.6ab), the divine name is no where to be found. The absence of the divine name in vv.6-8 underscores the despair of these sections, whereas the dense recursion of the name in sections 1 and 4 underlines the feelings of desperation and confidence respectively.f desperation and confidence respectively.)
    • Psalm 7/Lexical Semantics  + (Gives cohesion to vv.11-18 (see "direct address to Yahweh"). The third person reference to Yahweh in v.9a stands out among the surrounding 2nd person perspective (vv.8b,9b).)
    • Psalm 1/Verbs  + ("The initial cluster of three parallel ''q … "The initial cluster of three parallel ''qatals'' (1b-d) is followed by a verbless line (2a) and a line with ''yiqtol'' (2b); the changes from verbal to nonverbal and then to a different conjugation parallel the change in content, which moves from what does not characterize the happy man (1a-d) to what does (2a-b)."<ref>Frederic Putnam, “Working with Biblical Hebrew Poetry,” in ''Basics of Hebrew Discourse,'' edited by Miles van Pelt (Grand Rapids: Zondervan Academic, 2019), 184-185.</ref>rvan Academic, 2019), 184-185.</ref>)
    • Psalm 5/Lexical Semantics  + (The recursion of the divine name יהוה as a … The recursion of the divine name יהוה as a vocative at the beginning of a line (vv. 4a, 9a) marks the onset of the two major sections in the body of the psalm (S.1: vv.4-8; S.2: vv.9-12). If the divine name occurs also at the end of v.11d (so LXX), then it functions in this verse as well as in v.7b to close the parallel sub-sections 2.3 and 3.3.ose the parallel sub-sections 2.3 and 3.3.)
    • Psalm 4/Lexical Semantics  + (inclusio (vv.2a, 9b))
    • Psalm 6/Phonology  + (The sounds guttural + sonorant/sibilant gi … The sounds guttural + sonorant/sibilant give cohesion to the first three sections of the psalm. They seem to be particularly associated with the psalmist's dire situation (vv.2-3; 7-8). Where the lament is the deepest (vv.7-8), the sounds are especially prominent. When lament gives way to confidence (section 4), the sounds disappear. The sudden shift in mood is thus accompanied by a shift in sound.d is thus accompanied by a shift in sound.)
    • Psalm 6/Verbs  + (anaphora)