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List of results

• Method:Story Behind the Psalm  + ((Assumptions Table still on Miro); updated imagery tables)

• Method:Exegetical Issues  + (Added confidence ratings in conclusion)
• Method:Participant Analysis  + (Addition of (3.3) Summary Distribution Visual)
• Method:Poetic Structure  + (Addition of appendix)
• Method:Participant Analysis  + (All tracking done and added manually)
• Poetic Sections  + (Analysis of references to God (appearance of one of these lexemes or variations thereof: יְהוָה אֱלֹהִים אֱלוֹהָי אֲדֹנָי אֵל ; should we also include suffixes and other pronominal references?))
• Poetic Sections  + (Anthropomorphism (God has eyes))
• Poetic Sections  + (Any indication that content vs. non-content words are distributed in a way that supports the structure of the poem as a whole?)
• Poetic Sections  + (Any other observations on how particles are used in this passage?)
• Poetic Sections  + (Any other observations on how sounds are used in this passage?)
• Poetic Sections  + (Any other observations regarding lexical semantics in this passage?)
• Poetic Sections  + (Any other verb-related observations for this passage?)
• Poetic Sections  + (Anything else that should be included regarding the broader context of this psalm?)
• Poetic Sections  + (Apostrophe (direct address to inanimate object or absent person))
• Method:Story Behind the Psalm  + (Assumptions Table in Discourse Spreadsheet; updated imagery tables)
• Poetic Sections  + (At what points in the passage does the addressee change (self, God, evil men, community, other, or ambiguous)—and how do those changes intersect with the overall structure of the poem?)
• Poetic Sections  + (At what points in the passage does the subject (agent) of the sentence change? Other semantic roles (like patient) that change? (Question: Worth an RRG or semantic/Kroeger-style analysis?))
• Poetic Sections  + (At what points in the passage does the speaker change (I vs. we vs. ambiguous)—and how do those changes intersect with the overall structure of the poem?)
• Poetic Sections  + (At what points in the passage does the scene/location change?)
• Tag:Authorship  + (Authorship)
• Poetic Sections  + (Based on your analysis, what would you consider the most prominent line(s) and/or section(s) in the text?)
• Poetic Sections  + (Based on your division of lines, what is the middle line and how does it intersect with the other features and overall structure of the poem? (Or is there another line with higher marking in terms of poetic features?))
• Tag:Basic  + (Basic)
• Method:Lexical Semantics  + (Beginning)
• Method:Phrase-Level Semantics  + (Ben's tables incorporated)
• Method:Lexical Semantics  + (CBC removed from layer and gloss on diagram required)
• Method:Emotional Analysis  + (CGs creation)
• Method:Close-but-Clear  + (Clarification regarding use of parentheses and square brackets)
• Method:Emotional Analysis  + (Color-coding of Speech Act Summary according to emotions)
• Method:Poetic Structure  + (Combination of poetic structure and poetic features)
• Method:Poetic Features  + (Combination of poetic structure and poetic features)
• Poetic Sections  + (Comment on any unusual, repetitive, or otherwise marked word order)
• Tag:Connections  + (Connections)
• Tag:Connections at cola-level  + (Connections at cola-level)
• Tag:Connections at line-level  + (Connections at line-level)
• Tag:Connections at strophe-level  + (Connections at strophe-level)
• Tag:Context  + (Context)
• Tag:Continuity  + (Continuity)
• Tag:Cotext  + (Cotext)
• Tag:Discontinuity  + (Discontinuity)
• Poetic Sections  + (Distribution of independent personal pronouns)
• Poetic Sections  + (Distribution of negative markers (לֹֽא אַל אֵין בַּל לְבִלְתִּי))
• Poetic Sections  + (Distribution of other particles (אַךְ הֵן הִנֵּה גַּם כֵּן כִּי עַתָּה פֶּן לְמַעַן אִם לוּ\לוּלֵא, etc)—what thoughts might similar particles be connecting?)
• Poetic Sections  + (Distribution of possessives (whether by suffix, ''yesh'', or -ל))
• Poetic Sections  + (Distribution of prepositions, both independent and word bound (cf. beg/end use of בַּ in Psalm 13))
• Poetic Sections  + (Distribution of suffixes as objects)
• Poetic Sections  + (Distribution of vav)
• Poetic Sections  + (Distribution of verb by person, gender, and/or number.)
• Poetic Sections  + (Distribution of verb form (tense-aspect-modality))
• Poetic Sections  + (Distribution of verb stem types (''binyanim''))