The superscription of Psalm 92 is unique in its mention of the Sabbath day:[1]
מִזְמ֥וֹר שִׁ֗יר לְי֣וֹם הַשַּׁבָּֽת׃
"A psalm. A song for the Sabbath day."
Despite suggestions that the psalm itself––both its text and interpretation––has evolved to follow the liturgical use indicated by the superscription,[2] we find only plausible that the liturgical use suggested by the superscription and indicated from very early traditions reflect the text of the psalm itself, its theme and message.[3] The pertinent question, then, is how Sabbath is reflected in the message of the psalm, which has received numerous interpretations, "taking us from the beginning of history to its end."[4] We discuss two primary possibilities below.
Creation[]
The Sabbath makes reference to and is a celebration of the seventh day of creation.[5]
Eschaton (Preferred)[]
The Sabbath makes reference to and is an anticipation of the future state, which will be perfect rest.[6]
Conclusion (A)[]
Despite the apparent allusion to creation language in "the work of your hands" in Ps 92:5, and the Ugaritic parallel with v. 10,[7] it seems, rather, that the pattern of order in creation was supplementary to the order which YHWH will one day bring about in the perfect future Sabbath. If the Sabbath reference were simply a celebration of the previous victory over chaos, it would make little sense of the ongoing tension of the psalm.[8]
The hope of the psalm, in parallel fashion to both Pss 37 and 73 (which both share much common languages with Ps 92) is that one day all wrongs will be made right. It is thus preferable to follow the tradition attested in Mishna Tamid 7:4,[9] and continued by Rashi,[10] in understanding the Sabbath reference of Ps 92 to point towards the eschaton and future restoration of all justice. This is apparent in the psalm's message, which encourages the righteous to consider the wicked's future destruction (vv. 7-8), but their own future flourishing (vv. 9-16). The psalm's final didactic note states that the result of this future flourishing will be in order to declare that YHWH is, in fact, fair (v. 16)––a timely reminder, perhaps against the apparent evidence of the present.[11]
Avishur, Yitzhak. 1994. Studies in Hebrew and Ugaritic Psalms. Jerusalem: Magnes Press.
Boeckler, Annette M. 2015. "The Liturgical Understanding of Psalms in Judaism: Demonstrated with Samples from Psalms 90-106, with a Special Focus on Psalm 92, Mizmor shir leYom haShabbat." European Judaism: A Journal for the New Europe 48, no. 2: 70-82.
Friedmann, Jonathan L. 2020. "Psalm 92, Shabbat, and the Temple." JBQ 48, no. 4: 245-252.
Gillingham, Susan E. 2014. "The Levites and the Editorial Composition of the Psalms." Pages 200-213 in The Oxford Handbook of the Psalms. William P. Brown (ed.). Oxford: Oxford University Press.
Sarna, Nahum. S. 1962. "The Psalm for the Sabbath Day (Ps 92)." JBL 81, no. 2: 155-168.
Simon, Uriel. 1991. Four Approaches to the Book of Psalms: From Saadiah Gaon to Abraham Ibn Ezra. New York, NY: State University of New York.
Stec, David M. 2004. The Targum of Psalms: Translated with a Critical Introduction, Apparatus and Notes. Collegeville, MN: Liturgical Press.
Theodoret of Cyrus, 2001. Commentary on the Psalms: Psalms 73-150. Trans. Robert C. Hill. Washington, DC: The Catholic University of America Press.
Trudinger, Peter. 2003. The Psalms of the Tamid Service: A Liturgical Text from the Second Temple. Boston: Brill.
Vogel, Dan. 2000. "A Psalm for the Sabbath? A Literary View of Psalm 92." JBQ 28, no. 4: 211-221.
References[]
92:1
↑Though see also Pss 24, 48, 81, 82, 93, and 94 in the LXX. For the textual tradition of πέμπτη σαββάτου in the LXX of Ps 81, see the apparatus in Rhalfs 1931, 221.
↑See, e.g., Hossfeld & Zenger, who state only that "'For the Sabbath day' shows that the psalm was to be recited on the weekly Sabbath" (2005, 437). Similarly, Gillingham claims, according to her 'Levitical singer hypothesis,' that the superscription "indicates that [Psalm 92] has been adapted as a song for the Sabbath" (2014, 203). If this were the case, the entire integrity of the poetic structure must have been a late innovation, since the pattern of seven appearances of יהוה is a prevalent poetic feature (see poetic features), such that the psalm prior to this adaptation would be virtually unrecognizable compared to its final state. As stated by Sarna, "Scholarly opinion is well-nigh unanimous that the rubric merely designates the occasion on which, in later times, the psalm was publicly recited, and that there is absolutely no connection between the content of the psalm and the Sabbath day. But surely, whoever was responsible for introducing the hymn into the Sabbath liturgy obviously did find what was to him a satisfactory relationship. He must have discovered something in it that intimately corresponded to the dominant themes of the day for which it was selected... the presence of the heptad of tetragrammata in Ps 92 might very well have been suggestive of the seventh day of the week and so have contributed further towards the selection of the psalm for the Sabbath liturgy" (1962, 158-159, 168). Friedmann remains more agnostic: "These sevens might indicate that the psalm was originally written for Shabbat, or that its selection for Shabbat was informed, at least partly, by their presence. Another possibility is that the sevens 'resulted from a later attempt to polish the already selected psalm for its role on Shabbat.'" (2020, 247, citing Trudinger 2003, 150).
↑For early attestation of its liturgical use beyond the superscription itself, see Mishna Tamid 7:4 ("On Shabbat [the Levites] would recite the psalm beginning: “A psalm, a song for Shabbat day” (Psalms, chapter 92)"). For detailed arguments supporting the primacy of the text and its themes and later adoption to liturgical use, see Radak, Hitzig (1863, 242), Kirkpatrick (1903, 559), and Sarna (1962), among others.
↑Related to this position, though not based on any evidence from the text of Ps 92 itself, is the tradition in both Targum Psalms and Midrash Tehilim that the psalm was given and recited by Adam, before being subsequently forgotten until Moses reintroduced it, according to Bereshit Rabbah. Targum Psalms begins, "A psalm and a song that the first human being uttered for the sabbath day" (Stec 2004, 176); Midrash Tehilim 92:2, 5 states, "he sinned ... he was expelled ... the Sabbath intervened and removed him ... When the Sabbath arrived, it acted as an advocate for him ... And for the sake of the Sabbath, he was saved from the punishment of hell. Once a person saw the power of the Sabbath, he came to say a hymn for the Sabbath, a song for the Sabbath day. 'It is good to give thanks to God,' as said by Adam, the first man"; and Bereshit Rabbah 22:13: "Adam the first man said this Psalm, but it was forgotten from his generation, and Moses came and reintroduced it in his own name: “A psalm, a song for the Shabbat day." The latter tradition may be supported by the pattern of superscriptions in Book 4 of the Psalter, in which Moses is the most recently named author (Ps 90), so his authorship is often understood to continue to psalm 100 (see, e.g., Rashi on Ps 90:1), such that Ps 92 was to be taught in to tabernacle, according to Yefet Ben ʿAli (see Simon 1991, 85).
↑See, e.g., Rashi, who states, "for the Sabbath day that they would recite on Sabbaths, and it deals with the world to come, which is entirely Sabbath" (ליום השבת. שאומרי' אותו בשבתות והוא מדבר בענין העולם הבא שכולו שבת).
↑Discussed at length by Sarna (1962) and Avishur (1994).
↑Cf. the formulation by Vogel: "Manifestation versus faith is the central conflict of Psalm 92" (2000, 217).
↑"On Shabbat (the Levites) would recite the psalm beginning: “A psalm, a song for Shabbat day” (Psalms, chapter 92). This is interpreted as a psalm, a song for the future, for the day that will be entirely Shabbat and rest for everlasting life (מִזְמוֹר שִׁיר לֶעָתִיד לָבֹא, לְיוֹם שֶׁכֻּלּוֹ שַׁבָּת מְנוּחָה לְחַיֵּי הָעוֹלָמִים)."
↑"for the Sabbath day that they would recite on Sabbaths, and it deals with the world to come, which is entirely Sabbath" (ליום השבת. שאומרי' אותו בשבתות והוא מדבר בענין העולם הבא שכולו שבת).