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  • "The first three of these occurrences cons … "The first three of these occurrences constitute another case of the rhetorical device of intensification... The first occurrence of אבד in v.4 describes the fate of the enemies... In v.6, the repetition of the term serves to emphasize Yahweh's punitive destruction and also helps to equate the psalmist's 'enemies' (v.4) with 'the nations' (גוים) and 'the wicked' (רשׁע). Then in v.7 comes the intensification... The enemy/nations/wicked is not only 'destroyed'–their very memory is 'destroyed.'"'"`UNIQ--ref-00001027-QINU`"''destroyed.'"'"`UNIQ--ref-00001027-QINU`"'  +
  • Aperture/Anaphora (vv.2a, 8a, 12a, 14a, 20a); Inclusion (vv.8a, 11b); Anadiplosis (vv.11-12)  +
  • anadiplosis (vv.17b-18a)  +
  • anaphora (vv.16a, 18a); gives cohesion to vv.16-19  +
  • anaphora (vv.4a, 18a)  +
  • anaphora (vv.8a, 12a)  +
  • epiphora (vv.7, 21)  +
  • gives cohesion to the whole psalm  +
  • gives cohesion to the whole psalm, to v.5, and to vv.8-9  +
  • gives cohesion to v.10ab  +
  • gives cohesion to vv.10-14 and, consequently, the two middle stanzas (vv.8-15); together, these various characterizations of the righteous merge to form a coherent picture  +
  • gives cohesion to vv.12-15; ''inclusio'' (vv.12a, 15b; cf. chiasm formed by [[#Semantically/thematically related words|praise/rescue language]])  +
  • gives cohesion to vv.13-14, and/or anadiplosis (v.13: end of strophe; v.14: beginning of strophe)  +
  • gives cohesion to vv.14-15  +
  • gives cohesion to vv.16-17  +
  • gives cohesion to vv.18-19 (argues against seeing a strophe division between these verses)  +
  • gives cohesion to vv.2-3, vv.12-v.15; forms chiasm (vv.12-15): '''a''' praise (v.12) '''b''' rescue from affliction (v.13) '''b'''' rescue from affliction (v.14) '''a'''' praise (v.15); anaphora: second half of psalm (v.12) begins with praise (cf. v.2)  +
  • gives cohesion to vv.20-21; forms chiasm: '''a''' אֱנ֑וֹשׁ '''b''' ג֝וֹיִ֗ם '''b'''' גוֹיִ֑ם '''a'''' אֱנ֖וֹשׁ (vv.20-21)  +
  • gives cohesion to vv.4-7 and vv.16-21, and, consequently, the two outer stanzas (vv.2-7, 16-21); together, these various characterizations of the wicked merge to form a coherent picture  +
  • gives cohesion to whole psalm, vv.16-21, and, especially, vv.20-21  +