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Negative markers

Negative markers

  • v.11b. לֹֽא־עָזַ֖בְתָּ
  • v.13b. לֹֽא־שָׁ֝כַ֗ח
  • v.19b. לֹ֣א לָ֭נֶצַח יִשָּׁכַ֣ח
  • v.20a. אַל־יָעֹ֣ז

The four negative clauses happen to form a kind of chiasm: a לֹֽא־עָזַ֖ b לֹֽא־שָׁ֝כַ֗ח b' לֹ֣א...יִשָּׁכַ֣ח a' אַל־יָעֹ֣ז

  • v.11b. לֹֽא־עָזַ֖בְתָּ
  • v.13b. לֹֽא־שָׁ֝כַ֗ח
  • v.19b. לֹ֣א לָ֭נֶצַח יִשָּׁכַ֣ח
  • v.20a. אַל־יָעֹ֣ז

The four negative clauses happen to form a kind of chiasm: a לֹֽא־עָזַ֖ b לֹֽא־שָׁ֝כַ֗ח b' לֹ֣א...יִשָּׁכַ֣ח a' אַל־יָעֹ֣ז


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Independent personal pronouns

Independent personal pronouns

  • v.7c. הֵמָּה
  • v.9a. וְה֗וּא
  • v.21c. הֵמָּה

There is a clear connection between v.7c and v.21c. Both end with the pronoun הֵמָּה and thus conclude a tricolon and a stanza (epiphora). This feature argues strongly for the MT line division. The 3ms personal pronoun (הוּא) in v.9a, with its antecedent in v.8a (יהוה), binds v.9 to v.8 (cohesion).

  • v.7c. הֵמָּה
  • v.9a. וְה֗וּא
  • v.21c. הֵמָּה

There is a clear connection between v.7c and v.21c. Both end with the pronoun הֵמָּה and thus conclude a tricolon and a stanza (epiphora). This feature argues strongly for the MT line division. The 3ms personal pronoun (הוּא) in v.9a, with its antecedent in v.8a (יהוה), binds v.9 to v.8 (cohesion).


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Prepositions

Prepositions

2a בְּכָל־לִבִּ֑י
2b
3a בָ֑ךְ
3b
4a בְּשׁוּב־אוֹיְבַ֥י
4b מִפָּנֶֽיךָ
5a
5b לְ֝כִסֵּ֗א
6a
6b לְעוֹלָ֥ם
7a לָ֫נֶ֥צַח
7b
7c
8a לְעוֹלָ֣ם
8b לַמִּשְׁפָּ֣ט
9a בְּצֶ֑דֶק
9b בְּמֵישָׁרִֽים
10a לַדָּ֑ךְ
10b בַּצָּרָֽה לְעִתּ֥וֹת
11a בְ֭ךָ
11b
12a לַ֭יהוָה
12b בָ֝עַמִּ֗ים
13a
13b
14a
14b מִשֹּׂנְאָ֑י
14c מִשַּׁ֥עֲרֵי מָֽוֶת
15a
15b בְּשַֽׁעֲרֵ֥י בַת־צִיּ֑וֹן
15c בִּישׁוּעָתֶֽךָ
16a בְּשַׁ֣חַת
16b בְּרֶֽשֶׁת
17a
17b בְּפֹ֣עַל כַּ֭פָּיו
18a לִשְׁא֑וֹלָה
18b
19a לָ֭נֶצַח
19b לָעַֽד
20a
20b עַל־פָּנֶֽיךָ
21a
21b
21c
  • Parallelisms: ל//ל (vv.8ab, 10ab, 19ab); ב//ב (vv.9ab, 16ab); ל//ב (v.12ab); מ//מ (v.14bc)
  • vv.5-8. Cluster of ל prepositions.
  • vv.15-16. Cluster of בּ prepositions, בְּשַֽׁעֲרֵ֥י (v.15b), בִּישׁוּעָתֶֽךָ (v.15c), בְּשַׁ֣חַת (v.16a), בְּרֶֽשֶׁת (v.16b); note repetition of בּ + שׁ sounds. This feature give cohesion to vv.15-16 (note also the cluster of feminine nouns) and smooths over the break between these strophes, forming an overlap structure (anadiplosis).
  • vv.18-19. Cluster of ל prepositions, gives cohesion to this strophe (vv.18-19).
2a בְּכָל־לִבִּ֑י
2b
3a בָ֑ךְ
3b
4a בְּשׁוּב־אוֹיְבַ֥י
4b מִפָּנֶֽיךָ
5a
5b לְ֝כִסֵּ֗א
6a
6b לְעוֹלָ֥ם
7a לָ֫נֶ֥צַח
7b
7c
8a לְעוֹלָ֣ם
8b לַמִּשְׁפָּ֣ט
9a בְּצֶ֑דֶק
9b בְּמֵישָׁרִֽים
10a לַדָּ֑ךְ
10b בַּצָּרָֽה לְעִתּ֥וֹת
11a בְ֭ךָ
11b
12a לַ֭יהוָה
12b בָ֝עַמִּ֗ים
13a
13b
14a
14b מִשֹּׂנְאָ֑י
14c מִשַּׁ֥עֲרֵי מָֽוֶת
15a
15b בְּשַֽׁעֲרֵ֥י בַת־צִיּ֑וֹן
15c בִּישׁוּעָתֶֽךָ
16a בְּשַׁ֣חַת
16b בְּרֶֽשֶׁת
17a
17b בְּפֹ֣עַל כַּ֭פָּיו
18a לִשְׁא֑וֹלָה
18b
19a לָ֭נֶצַח
19b לָעַֽד
20a
20b עַל־פָּנֶֽיךָ
21a
21b
21c
  • Parallelisms: ל//ל (vv.8ab, 10ab, 19ab); ב//ב (vv.9ab, 16ab); ל//ב (v.12ab); מ//מ (v.14bc)
  • vv.5-8. Cluster of ל prepositions.
  • vv.15-16. Cluster of בּ prepositions, בְּשַֽׁעֲרֵ֥י (v.15b), בִּישׁוּעָתֶֽךָ (v.15c), בְּשַׁ֣חַת (v.16a), בְּרֶֽשֶׁת (v.16b); note repetition of בּ + שׁ sounds. This feature give cohesion to vv.15-16 (note also the cluster of feminine nouns) and smooths over the break between these strophes, forming an overlap structure (anadiplosis).
  • vv.18-19. Cluster of ל prepositions, gives cohesion to this strophe (vv.18-19).

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Waw/Vav

Waw/Vav

The conjunction waw occurs 9x in this psalm, exclusively in the first half of the psalm (vv.2-11). This feature gives cohesion to vv.2-11, where waw occurs in every verse except the first (v.2), and to vv.12-21, where waw does not occur at all. In almost every case, waw creates continuity. In v.8a (ויהוה, disjunctive waw), the conjunction indicates a contrast (discontinuity) and signals the onset of a new stanza (vv.8-11), in which each verse (vv.8, 9, 10, 11) begins with waw (see acrostic structure).

Coordinating Words/Phrases within a Line

  • v.3a: אֶשְׂמְחָ֣ה וְאֶעֶלְצָ֣ה
  • v.4b: יִכָּשְׁל֥וּ וְ֝יֹאבְד֗וּ
  • v.5a: מִשְׁפָּטִ֣י וְדִינִ֑י
  • v.6b: לְעוֹלָ֥ם וָעֶֽד

Coordinating Lines

  • v.7a --(waw + noun [וְעָרִ֥ים)--> v.7b

Coordinating Units (Bicola) within a Section

  • v.8 --(waw + pronoun [וְה֗וּא)--> v.9
  • v.9 --(waw + jussive [וִ֘יהִ֤י)--> v.10
  • v.10 --(waw + yiqtol/jussive [וְיִבְטְח֣וּ)--> v.11

Coordinating Stanzas

  • vv.4-7--(waw + noun = disjunctive waw [וַֽ֭יהוָה])--> vv.8-11

The conjunction waw occurs 9x in this psalm, exclusively in the first half of the psalm (vv.2-11). This feature gives cohesion to vv.2-11, where waw occurs in every verse except the first (v.2), and to vv.12-21, where waw does not occur at all. In almost every case, waw creates continuity. In v.8a (ויהוה, disjunctive waw), the conjunction indicates a contrast (discontinuity) and signals the onset of a new stanza (vv.8-11), in which each verse (vv.8, 9, 10, 11) begins with waw (see acrostic structure).

Coordinating Words/Phrases within a Line

  • v.3a: אֶשְׂמְחָ֣ה וְאֶעֶלְצָ֣ה
  • v.4b: יִכָּשְׁל֥וּ וְ֝יֹאבְד֗וּ
  • v.5a: מִשְׁפָּטִ֣י וְדִינִ֑י
  • v.6b: לְעוֹלָ֥ם וָעֶֽד

Coordinating Lines

  • v.7a --(waw + noun [וְעָרִ֥ים)--> v.7b

Coordinating Units (Bicola) within a Section

  • v.8 --(waw + pronoun [וְה֗וּא)--> v.9
  • v.9 --(waw + jussive [וִ֘יהִ֤י)--> v.10
  • v.10 --(waw + yiqtol/jussive [וְיִבְטְח֣וּ)--> v.11

Coordinating Stanzas

  • vv.4-7--(waw + noun = disjunctive waw [וַֽ֭יהוָה])--> vv.8-11

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Other particles

Other particles

  • v.5 (כִּי). Consequence (v.4) – action (v.5). David's enemies will turn, stumble, and perish (v.4), because Yahweh has enacted judgment (v.5). Gives cohesion to strophe (vv.4-5).
  • v.11b (כִּי). Exhortation (v.11a) – reason (v.11b). They should trust in Yahweh (v.11a), because he has not forsaken those who seek him (v.11b). Gives cohesion to verse (v.11).
  • v.13 (כִּי). Exhortation (v.12ab) – reason (v.13). Praise Yahweh (v.12ab), because he remembers (v.13a) and does not forget (v.13b) the lowly. Gives cohesion to strophe (vv.12-13).
  • v.15 (לְמַעַן). Petition (v.14) – reason/purpose (v.15). Rescue me, so that I may praise you (v.15). Gives cohesion to strophe (vv.14-15).
  • v.19 (כִּי). Consequence (v.4) – fact (v.5). The wicked will return to Sheol (v.18), because the poor will not remain abandoned (v.19). Gives cohesion to strophe (vv.18-19).
  • v.5 (כִּי). Consequence (v.4) – action (v.5). David's enemies will turn, stumble, and perish (v.4), because Yahweh has enacted judgment (v.5). Gives cohesion to strophe (vv.4-5).
  • v.11b (כִּי). Exhortation (v.11a) – reason (v.11b). They should trust in Yahweh (v.11a), because he has not forsaken those who seek him (v.11b). Gives cohesion to verse (v.11).
  • v.13 (כִּי). Exhortation (v.12ab) – reason (v.13). Praise Yahweh (v.12ab), because he remembers (v.13a) and does not forget (v.13b) the lowly. Gives cohesion to strophe (vv.12-13).
  • v.15 (לְמַעַן). Petition (v.14) – reason/purpose (v.15). Rescue me, so that I may praise you (v.15). Gives cohesion to strophe (vv.14-15).
  • v.19 (כִּי). Consequence (v.4) – fact (v.5). The wicked will return to Sheol (v.18), because the poor will not remain abandoned (v.19). Gives cohesion to strophe (vv.18-19).


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Content vs non-content

Other

Other

  • v.16b. The demonstrative זוּ is used "somewhat frequently in poetic language to introduce both dependent and independent relative clauses.'"`UNIQ--ref-0000106D-QINU`"'
  • v.16b. The demonstrative זוּ is used "somewhat frequently in poetic language to introduce both dependent and independent relative clauses.'"`UNIQ--ref-0000106D-QINU`"'


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Bibliography

Include here any bibliography you find particularly helpful for this Psalm. If you drag and drop from Zotero, formatted for Wikipedia Citation, then it will be fully searchable. --> Click to edit for chapter 9: Phonology / Lexical Semantics / Verbs / Nouns / Particles / Figurative / Context / Mathematical / Variants / Summary


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