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Discontinuity & boundaries +
"Four strophes clearly emerge in this psal … "Four strophes clearly emerge in this psalm, the first and second ending in typical Hebraic fashion with a question, the first, second, and fourth beginning, equally typically, with imperatives."'"`UNIQ--ref-00000DAA-QINU`"'</br>*'''''Anaphora''''' – "Strophes 1, 2, and 4 start with a command (in prohibitive form in v.2)."'"`UNIQ--ref-00000DAB-QINU`"'</br>*'''''Epiphora''''' – Sections 1 and 2 are concluded with rhetorical questions.</br></br><u>Section 1 --> Section 2</u></br>*[[#Rhetorical questions|rhetorical question]] (v.4b, ''ephiphora'')</br>*broken-off sentence (v.4b)</br>*[[#Verb forms|imperatives]] (v.5a, ''anaphora'')</br>*[[#Addressee change|direct address to Yahweh]] (v.5a)</br></br><u>Section 2 --> Section 3</u></br>*[[#Rhetorical questions|rhetorical question]] (v.6b, ''ephiphora'')</br>*shift to 1st person</br>*terse line (7a: 2 words, 7 syllables)</br>*[[#Cola distribution|tricolon]]</br></br><u>Section 3 --> Section 4</u></br></br>"An almost shocking shift in topic and tone begins the final ''stanza D'' (v.9a), which creates a dramatic pause and shift of perspective within the prayer."'"`UNIQ--ref-00000DAC-QINU`"'</br>*[[#Verbs|2ms imperative]] (''anaphora'')</br>*([[#Addressee change|addressee change]] ([[#Apposition|apposition]])</br>*[[#Range of emotions|emotional]] changeange of emotions|emotional]] change +
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