Psalm 21 Grammar

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Psalm Overview

About the Grammar Layer

The grammar layer visually represents the grammar and syntax of each clause. It also displays alternative interpretations of the grammar. (For more information, click "Expand" to the right.)

The grammatical diagram provides a way to visualise how different parts of a sentence work together. It represents the “surface-level” grammar, or morphosyntax, of a sentence. Morphosyntax includes both the form of words (morphology) and their placement in the sentence (syntax). This approach to visualising the text, based on the Reed-Kellogg diagramming method, places the grammatical subject in one slot, the verb in another slot, and modifiers and connectives in other slots.

For a detailed description of our method, see the Grammar Creator Guidelines.

Grammar Visuals for Psalm 21

For legend, click "Expand" to the right

Grammatical Term Definition Diagram Example
Clausal Additions
Subject The subject performs the action of the active verb or receives the action of a passive verb.
With intransitive verbs

Indicated at the beginning of the main clausal line, and followed
by a vertical line that crosses over the main clause line
(separating the subject from the predicate).
Subject ex2..jpg
Direct Object Object that receives the direct action of a (transitive) verb Indicate with a vertical line up from main clausal line Direct obj. ex..jpg
Predicate adjective/
Subject complement
A word used with a linking verb (ex. "to be"), renaming or restating the subject.
Can be a whole prepositional phrase.
Indicate with a vertical slanted line up from the main
clausal line. It can be on a stand if it is an embedded
clause.
Subj. Compl. ex..jpg
Object Complement Word following a direct object to state what it has become. Indicate with a vertical slanted line up from the main
clausal line.
Obj. Compl. ex..jpg
Infinitives Can be subject, adverbial, or an infinitive construct. Indicate with double vertical lines that cross the main
clausal line. If used adverbially (ie. an embedded clause),
place on a stand.
Infinitive ex..jpg
Participles A verbal noun/adjective that can be used in three positions: (1) substantival;
(2) attributive; (3) predicative.
Indicate with a round vertical line. Substantival
participles are placed on a stand (they are embedded).
Attributive participles are placed with a rounded line
underneath what is modified.
Participle ex..jpg
Modifiers
Adjectives A word modifying a noun to indicate quality, quantity, extent, or differentiating
something from something else.
Indicate with a slanted line down from what is modified.
Adjective ex..jpg
Adverbs A word that modifies a verb, adverb, adjective, prepositional phrase, clause, or
sentence to express a relation (ex. manner, quality, or time).
Indicate with a slanted line down from what is modified. Adverb ex..jpg
Construct relationships Construction can express many different relationships between two (or
more) nouns. English grammarians call this construction a ‘Construct’
(our term) or ‘Genitive’ phrase; Hebrew grammarians call it
smīḵūt (סְמִיכוּת).
Indicate with a stair-step down from the modified
word/clause/phrase.
Construct ex..jpg
Prepositional phrases A phrase that consists of a preposition and its object and has adjectival or adverbial value Indicate with a slanted vertical line connecting to a new
clause.
Prepositional Phrase ex..jpg
Connectives (1) Coordinating conjunctions join together words or word groups of equal
grammatical rank

(2) Subordinating conjunctions join a main clause and a clause which does not form
a complete sentence by itself.
Indicate with a dashed line down from a vertical line
marker.
Connectives ex..jpg
Embedded clause A clause inside another clause which can include substantival participles, adverbial
infinitives, and prepositional phrases.
Indicate using stilts. Embedded Clause ex.final.jpg
Particles
Subordinating particle Indicates a dependent clause.
Indicate with a dashed line down from the antecedent to the
pronoun.
Particle ex..jpg
Apposition A word that is functioning as an explanatory equivalent as another in the sentence Place on a line apart from the diagram but next to the word
it is the equivalent of with an equal sign in between.
Apposition ex..jpg
Vocative Indicating a person being addressed (usually with a 2nd person verb) Place on a line apart from the diagram next to the '()' indicating
the gapped subject an equal sign in between.
Vocative ex..jpg

Master Diagram

Cheat Sheet Diagram.jpg

v. 1

Psalm 021 - v 1.jpg

  • The meaning of a psalm of David (לְדָוִד) in the superscription impacts whether David (who is not mentioned explicitly elsewhere in the psalm) should be attributed as the author. For further discussion of this issue see לְדָוִד.

v. 2

Psalm 021 - v 2.jpg

  • There is a Ketiv/Qere issue in v. 2b with the Ketiv form יָגֵיל diagrammed as the preferred reading and the Qere יָגֶל as an emendation. The Qere reading could be based on an alternative root גלל and mean something like "to roll away". However, it seems best to understand the Qere form as an alternative form of יגיל, which, following the exclamation מה, has been naturally shortened with a decrease in tone into יָגֶל .[2] Because of this the Ketiv reading יָגֵיל with מַה retained has been kept as the preferred text. Therefore, the issue here is with vocalization and not meaning, with the Qere form rendering the same gloss "he exults". [3]
  • In coming directly before the verbal clause here מַה is functioning to introduce and express the admiration of the verbal subject.[4]

v. 3

Psalm 021 - v 3.jpg

v. 4

Psalm 021 - v 4.jpg

  • כי is treated as a particle coordinating at the discourse unit level here rather than a subordinating conjunction. Contextually its associated clause does not seem subordinate to the preceding or following clauses. Also the סֶּלָה "selah" just prior creates a discourse break. Some translations understand כי here to be functioning as an asseverative particle e.g. "Oui" ("Yes") (PDV2017, S21). See also vv. 8, 12, 13.
  • The noun בִּרְכוֹת is in a construct chain with טוֹב an adjective; given the adjective is in the construct chain, it is considered as functioning nominally.

v. 5

Psalm 021 - v 5.jpg

  • The construct phrase אֹרֶךְ יָמִים is treated in apposition to (חַיִּים) the implied object of נָתַ֣תָּה. While עוֹלָם וָעֶד are understood to function as accusatives of time and are diagrammed as a compound adverbial[5] see, ESV, NIV, NASB, and NKJV. An alternative suggestion is that עוֹלָם וָעֶד should be understood as "synonyms in apposition" rather than "accusatives of time."[6] The NET and CEV treat אֹרֶךְ יָמִים עוֹלָם וָעֶד as the direct object of נָתַתָּה as per the first alternative diagram. The NLT seems to understand אֹרֶךְ יָמִים עוֹלָם וָעֶד as a stand alone nominal clause "the days of his life stretch on forever," perhaps a more literal reading would be "the length of his days (are) forever and ever" see the second alternative diagram above (in pink).

v. 6

Psalm 021 - v 6.jpg

v. 7-8

Psalm 021 - verses 7-8.jpg

  • כי has been taken as a particle again here. However an alternative option has been diagrammed of modal adverb "surely" (NIV) as well as an alternative possibility where the two lines in v. 7 are understood to be subordinate to v. 8, the former providing the cause for what follows.
  • שׁית (put) is in the category of verbs that can take a double object accusative.[7]
  • A majority of English translations (ESV, NIV, NASB, NKJV etc.) appear to take אֶת as a preposition rather as the direct object identifier. A notable exception is the NLT. The latter is diagrammed as an alternative.
  • HALOT suggests reading תְּחַדֵּ֥הוּ (a rare form in OT) as תְּרַוֵּהוּ from the root רוה "to saturate."[8]

v. 9

Psalm 021 - v 9.jpg

v. 10

Psalm 021 - v 10.jpg

  • יהוה could be closing the first line or opening the second line. If considered part of the former it would be taken as a vocative, however as Craigie notes the "metrical balance" and clarity it provides when included with the latter line make that the preferred option.[9]
  • The MT reading of לעת may be a corrupted form of לְעֻמַּת.[10] The MT text has been retained as the preferred reading in the diagram, though this will be an exegetical issue to investigate further.

v. 11

Psalm 021 - v 11.jpg

v. 12-13

Psalm 021 - v 12-13.jpg

  • v. 12: The כִּי here is understood as concessive "even though."[11] The ESV, NIV, NLT, and NASB translate it this way. NET translates it as an emphatic modal adverb "yes", and others including NKJV as "for".
  • v. 13: The כִּי in the preferred diagram is understood here as making v. 13 subordinate to v. 12 and functioning causally. Whereas in the second alternative for v. 12 and the alternative for v. 13 כִּי "for" is simply coordinating each line with what precedes.
  • v. 13: The clause כִּי תְּשִׁיתֵמוֹ שֶׁכֶם can be understood with the תְּשִׁיתֵמוֹ having a double object including the pronominal suffix.[12] Also see the note for v. 10 above.

v. 14

Psalm 021 - v 14.jpg

Bibliography

Arnold, Bill T., and John H. Choi. 2018. A Guide to Biblical Hebrew Syntax. Cambridge: Cambridge University Press.
Briggs, Charles A., and Emilie Grace Briggs. 1906. A Critical and Exegetical Commentary on The Book of Psalms. Vol. I. New York, NY: C. Scribner’s sons.
Craigie, Peter C. 2004. Word Biblical Commentary: Psalms 1–50. 2nd ed. Vol. 19. Nashville: Nelson Reference & Electronic.
Dahood, Mitchell J. 1966. The Anchor Bible: Psalms I, 1-50. Garden City, NY: Doubleday.
Davidson, A. B. 1902. The Analytical Hebrew and Chaldee Lexicon. Peabody, MA: Hendrickson.
Davies, G. I. The Psalms. 1993. Sheffield, England: Sheffield Academic Press.
Delitzsch, Franz Julius. 1883. A Commentary on the Psalms. New York: Funk and Wagnalls.
Grogan, Geoffrey W. 1991. Expositor's Bible Commentary: Psalms. Grand Rapids, MI: Zondervan.
Keel, Othmar. 1997. The Symbolism of the Biblical World: Ancient Near Eastern Iconography and the Book of Psalms. Translated by Timothy J. Hallett. Winona Lake: Eisenbrauns.
Kraus, Hans-Joachim. 1993. A Continental Commentary. Psalms 1-59. Translated by Hilton C. Oswald. Minneapolis: Fortress Press.
Ryken, Leland, James C. Wilhoit, and Tremper Longman III. 2000. Dictionary of Biblical Imagery. Downers Grove, IL: InterVarsity Press.
Van der Merwe, Christo H. J., Jacobus A. Naudé, and Jan H. Kroeze. 2017. A Biblical Hebrew Reference Grammar. 2nd ed. New York: Bloomsbury T&T Clark.
VanGemeren, Willem. 2008. Psalms: The Expositor's Bible Commentary. Grand Rapids: Zondervan.
Waltke, Bruce K. & O'Connor, Michael. O. 1990. An Introduction to Biblical Hebrew Syntax. Winona Lake, IN: Eisenbrauns.

Footnotes

  1. In brief: לַמְנַצֵחַ belongs to a group all its own. There’s some debate as to the exact meaning of לַמְנַצֵחַ, but most think it means “to the chief musician/director of music/conductor”. Although both לַמְנַצֵחַ and לְדָוִד begin with lamed, the preposition has different functions in these two cases: we can read לַמְנַצֵחַ as “TO or FOR the musical director”, and לְדָוִד as “BY David”. The presence of לַמְנַצֵחַ often comes before technical musical and liturgical terms–the words that give translators the most trouble! This makes sense, as the musical director would have been a specialist in first Temple liturgy and would have been familiar with these words. It’s possible that the 55 psalms which include לַמְנַצֵחַ were meant to be performed only by Temple musicians, probably due to reasons of musical complexity or use in specific festivals.
  2. Delitzsch 1883, 219.
  3. "The Qere reading may be based on an alternative root גלל and mean something like "to roll away". However, it seems best to understand it as an alternative form of יגיל which, following the exclamation מה has been naturally shortened with a decrease in tone into יָגֶל" (Delitzsch 1883, 219). The interrogative מַה is not present in the LXX or Syriac (BHS) but has been kept as part of the preferred text here. Craigie notes that the Ketiv of the verb that follows is the more compatible reading if מַה is to be kept (Craigie 2004, 189).
  4. Van der Merwe 2017, 42.3.6 (4); Gesenius 1910, 471.
  5. HALOT, 859; Arnold-Choi 2018, 26.
  6. Dahood 2008, 132.
  7. Davidson 1902, §§.76, 78.
  8. DCH.
  9. Craigie 2004, 189 and 192.
  10. Craigie 2004, 189.
  11. HALOT, 471.
  12. Davidson 1902, 111.