Form: Psalm: Difference between revisions
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|Include table=yes | |Include table=yes | ||
|Description=Apostrophe (direct address to inanimate object or absent person) | |Description=Apostrophe (direct address to inanimate object or absent person) | ||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=1i | |||
|Include table=yes | |||
|Description=Euphemism | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=1j | |||
|Include table=yes | |||
|Description=Hyperbole | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=1k | |||
|Include table=yes | |||
|Description=Sarcasm, irony (verbal, intratextual, intertextual), etc. | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=1l | |||
|Include table=yes | |||
|Description=Rhetorical questions | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=1m | |||
|Include table=yes | |||
|Description=Idioms (distinguish between fossilized vs. still idiomatic)? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=2 | |||
|Include table=no | |||
|Description=What translation advice would you offer for specific figures of speech identified above? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=3 | |||
|Include table=no | |||
|Description=Do figures of speech collectively seem to be involved in defining the overall structure of the poem? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=4 | |||
|Include table=no | |||
|Description=What historical background information do we have from the psalm or elsewhere in Scripture about the context of this psalm? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=5 | |||
|Include table=no | |||
|Description=What cultural background information would assist readers in understanding this psalm? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=6 | |||
|Include table=no | |||
|Description=What information is left implicit in the original text that may need to be made explicit in translations? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=7 | |||
|Include table=yes | |||
|Description=Incidence of broad reference/allusions (words/phrases pointing to other places in the OT, especially first 5 books, cf. Turner 2017)? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=8 | |||
|Include table=no | |||
|Description=Which parts of this psalm, if any, are quoted directly or seemingly alluded to by NT authors? (How highly linguistically marked are the words or lines referenced? Cf. the middle verses from Psalm 8 or the “cornerstone” verse from Psalm 118.) | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Context | |||
|ItemIndex=9 | |||
|Include table=no | |||
|Description=Anything else that should be included regarding the broader context of this psalm? | |||
}} | }} | ||
= Mathematical Structure = | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=1 | |||
|Include table=no | |||
|Description=Fokkelman’s work on prosody and syllable counts | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=2 | |||
|Include table=no | |||
|Description=Do you have commentary/alternate proposed suggestions regarding Fokkelman’s syllable counts? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=3 | |||
|Include table=no | |||
|Description=How would we propose distributing cola (monocolons, bicolons, tricolons, and tetracolons) in this psalm? Please explain any decisions that might have alternate options. | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=4 | |||
|Include table=no | |||
|Description=How would we propose classifying parallelisms in this psalm? How does the distribution of different types of parallelism intersect with the overall structure of the poem? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=5 | |||
|Include table=yes | |||
|Description=Where does “selah” appear? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=6 | |||
|Include table=yes | |||
|Description=Where do quotations/direct speech appear? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=7 | |||
|Include table=yes | |||
|Description=Where does elided information appear? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=8 | |||
|Include table=no | |||
|Description=What chiasms do you observe on the clause/colon level in this poem (anything within a monocolon, bicolon, tricolon, or tetracolon)? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=9 | |||
|Include table=no | |||
|Description=Comment on any unusual, repetitive, or otherwise marked word order | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=10 | |||
|Include table=no | |||
|Description=Lunn’s work on word order, with commentary | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=11 | |||
|Include table=no | |||
|Description=What's the middle word if words are considered units connected with maqaf [high hyphen] and how (if at all) does that middle word intersect with other features analyzed and/or the overall structure of the poem? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=12 | |||
|Include table=no | |||
|Description=What’s the middle word if all lexemes are considered independent units and how (if at all) does it intersect with other features analyzed and/or the overall structure/theme of the poem? | |||
}} | |||
{{Form/Poetic Feature | |||
|Section=Mathematical | |||
|ItemIndex=13 | |||
|Include table=no | |||
|Description=Based on your division of lines, what is the middle line and how does it intersect with the other features and overall structure of the poem? (Or is there another line with higher marking in terms of poetic features?) | |||
}} | |||
Revision as of 07:05, 2 April 2020
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