View source for Praise and Lament in the Psalms

[[Category:Summaries of Secondary Literature]]
[[File: Praiselament.jpg|200px|class=img-fluid]]
=Introduction=
[[Has author::Claus Westermann]], ''Praise and Lament in the Psalms'' (Atlanta, Ga: J. Knox Press, [[Has date::1981]]).
*1961 - originally published as ''Das Loben Gottes in den Psalmen''
*1965 - translated into English and published as ''The Praise of God in the Psalms''
*1977 - revised and expanded as ''Lob und Klage in den Psalmen'' (chapters 2.1, 2.2, 2.3 added)
*1981 - translated into English and published as ''Praise and Lament in the Psalms''
</br>
Westermann is a key proponent of the [[Has approach::Form Criticism|form critical approach]], taking up "the task set for us by [[Einleitung in die Psalmen|Gunkel]] of research into the '''individual Psalm categories''' in their development and in the history of their '''component parts'''" (21). He is critical of the [[Cult-Functional Approach|cult-functional approach]]. "Research since (the publication of [[Einleitung in die Psalmen|Gunkel's ''Introduction'']] has in my opinion turned too quickly form the then newly discovered path of understanding the categories of the Psalms as a whole and each in terms of its parts only to proceed in the direction recently taken by [[The Psalms in Israel's Worship|Mowinckel]]" (165).

"Westermann wrote this book while he was being held as a prisoner of war by the Soviet Union in World War II."<ref>Walter Brueggemann, “Essential Books on The Psalms,” in ''Christian Century'' 129, no. 9 (May 2, 2012): 29.</ref>
----

=Summary=
Westermann '''boils down Gunkel's genre categories to two: Lament and Praise'''. Thus, the categories of the psalms "designate the basic modes of that which occurs when man turns to God with words: plea and praise" (153). Songs of Praise may be further categorized as ''Descriptive'' (praising God for ''who he is'') or ''Declarative'' (praising God for ''what he has done''). The categories of lament and declarative praise can be further subdivided based on whether the Psalm is individual or communal.
[[File:Olive tree-Zippori.jpg|thumb|The Psalter as a tree with two main branches, rooted in the soil of a prayerful existence]]
*'''Praise'''
**''Descriptive'' Psalm of Praise
**''Declarative'' Psalm of Praise
***Declarative Psalm of Praise of the People
***Declarative Psalm of Praise of the Individual

*'''Lament'''
**Psalm of Lament of the People
**Psalm of Lament of the Individual
</br>

Praise and Lament are "'''the literary forms which characterize the Psalter as a whole''', related as they are as polar opposites" (11). And these are not just literary forms; praise and lament are the two basic ways of speaking to God. "In Israel, all speaking to God moved between these two poles" (154).

If Gunkel viewed the Psalms as a tree with four main branches rooted in the soil of Israel's worship service, Westermann sees the Psalms as '''a tree with two main branches, rooted in the soil of a prayerful existence'''.

==Outline==
# Book One: The '''Praise''' of God in the Psalms
## The Categories of the Psalms
## The Structure of the Babylonian Psalms
## The Praise of God in the Categories of the Psalms
## Summary and Conclusion
# Book Two: '''Lament''' in the Psalms
## The Structure and History of the Lament in the Old Testament
## The "Re-presentation" of History in the Psalms
## The Formation of the Psalter
## The Role of the Lament in the Theology of the Old Testament
==Key Concepts==
===Genre===
See [[Einleitung in die Psalmen #Genre (''Gattung'')|Gunkel on Genre]].
===Setting in life (''Sitz im Leben'')===
See [[Einleitung in die Psalmen #Setting in Life (''Sitz im Leben'')|Gunkel on Sitz im Leben]].
==Key Arguments==
===Plea and Praise===
Westermann refined Gunkel's genre categories by boiling them down to two basic categories: Lament (supplication) and Praise.
<argdown>
===
title: Plea and Praise
model:
    removeTagsFromText: true
selection:
    excludeDisconnected: false
===
[Plea and praise]: The categories of the psalms "designate the basic modes of that which occurs when man turns to God with words: plea and praise" (153).
 + [Two modes of prayer]: "The two modes of calling on God are praise and petition" (152).
 + [Two kinds of Pss]: The two basic categories of Psalms are (1) Lament (supplication) and (2) Praise.
  + [Babylonian Pss]:The Babylonian psalms "speak to God in terms of petition and praise" (36).
   + The basic structure of the Babylonian psalm is (1) Address, (2) Praise, (3) Lament, (4) Petition, (5) Vow of praise.

[Gunkel's categories]:There are (according to Gunkel) four main categories of Psalms: (1) Hymn, (2) Communal Lament, (3) Individual Lament, (4) Individual Thanksgiving Song. #Gunkel
   +> [Two kinds of Pss]
   <_ [Illegitimate distinction]:The category distinction between Hymns and Psalms of Thanksgiving is not legitimate. Both are expressions of Praise.
    +> [Two kinds of Pss]
    + [Thanks as praise]:"The OT does not have our independent concept of thanks. The expression of thanks to God is included in praise, ''it is a way of praising''" (27).
</argdown>

===''Sitz im Leben''===
Based on the above conclusion, Westermann challenges Gunkel's conclusion that the ''Sitz im Leben'' of the Psalms is the Israelite worship service (the "cult"). "Gunkel's thesis that the ''Sitz-im-Leben'' of the Psalms is the cult is here accepted only conditionally. I have pointed beyond that all too common and indefinite word ''cult'' to the basic occurrence which transpires in 'cult' when men speak to God: the polarity of speaking to God as plea and praise." This is the real  ''Sitz-im-Leben'' of the Psalms (154).
<argdown>
===
title: Non-cultic Setting
model:
    removeTagsFromText: true
selection:
    excludeDisconnected: false
===
[Cultic Sitz im Leben]: The ''Sitz-im-Leben'' of the Psalms is the cult. #Gunkel
 <_ [Defining "Cult"]: "In the OT there is no absolute, timeless entity called 'cult'" (21).
  + [Gradual development]: "Worship in Israel... developed gradually in all its various relationships, those of place, of time, of personnel, and of instrumentality" (21).
 - [Part of life]: "The praise of God in Israel never became a cultic happening separated from the rest of existence" (155).
  + [Plea and praise]: The categories of the psalms "designate the basic modes of that which occurs when man turns to God with words: plea and praise" (153).
</argdown>

==Key Evidence==
*Biblical Psalms
*Babylonian psalms
----

=Impact=
Westermann's work is "'''a significant refinement of Gunkel's categories of psalms'''."<ref>William Bellinger Jr, "Psalms and the Question of Genre," in ''The Oxford Handbook of the Book of Psalms'' (Oxford: Oxford University Press, 2014).</ref>
==Important ideas==
*'''praise and lament''' (supplication) as the '''two basic Psalm categories'''
*redefinition of psalms of "thanksgiving" as psalms of "'''declarative praise'''"
*three-dimensional character of Lament: (1) "God, (2) the one who laments, (3) and the enemy" (169).
*the movement of the Psalter from '''lament --> praise'''

==Critique==
===Waltke 1966===
"This book is '''one of the most important form-critical studies of the Psalms to appear in English'''... His literary analysis of these basic categories is excellent and helpful. In contrast, the author's extensive attempts to trace the development of these various categories is unrewarding and unconvincing because, like most form critics, he fails to establish sufficient external controls."<ref>Bruce K. Waltke, “The Praise of God in the Psalms,” ''Bibliotheca Sacra'' 123, no. 489 (January 1966): 81–82. </ref>

===Brueggemann 2012===
"More than anyone else. Westermann is '''the true heir of [[Einleitung in die Psalmen|Hermann Gunkel]]''' and has sharpened Gunkel's genre analysis to show how the move 'from plea to praise' is the master narrative through which the entire Psalter functions... This book is '''the font of the enormous recent energy on the lament Psalms'''. Most of the recent studies of laments (including my own) are derivative from his work.<ref>Walter Brueggemann, “Essential Books on The Psalms,” in ''Christian Century'' 129, no. 9 (May 2, 2012): 29.</ref>

===Bellinger 2014===
"Claus Westermann's essential insight of the distinction between praise and lament continues to hold promise for understanding the Psalms... The distinction between praise and lament is the crucial one for interpreters. In our current context, that may be '''the best route in explicating these types of psalms; there are basically two: praise and lament'''... The basic impulses of praise and lament may well provide the form-critical base needed for interpretation."<ref>William Bellinger Jr, "Psalms and the Question of Genre," in ''The Oxford Handbook of the Book of Psalms'' (Oxford: Oxford University Press, 2014).</ref>
----

=References=
Description	What you type	What you get
Italic	''Italic text''	Italic text
Bold	'''Bold text'''	Bold text
Bold & italic	'''''Bold & italic text'''''	*Bold & italic text*